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the art in editing
Every opportunity to edit a video presents choices. The outcome of those choices makes the art. Like other art forms, every work is different and requires different treatment. As I have become more aware of these different treatments, I have begun to watch movies paying close attention to the editing, trying to understand how the edit effects the movie’s story, feel, emotional impact and even how involved the audience becomes. I then take these lessons into the edit on my projects, applying them carefully to each project.
Sometimes I have taken criticism on some of these works specifically due to the editing style, so I was pleased to read this article about cutting the Bourne Ultimatum. Christopher Rouse has been praised by many for his editing, especially previous to this latest Bourne film, but there are many who are criticizing his editing on this film. Most of the complaints are about it being too fast or too jumpy or even too edgy. As I read this interview, I felt refreshed by Rouse’s attitude towards the criticism and his desire to edit each project in a way that fits the directors style and what the director is trying to accomplish.
I realize there is more to the overall style than just the editing – the directing, camera work, lighting, sets – they all play an important role in developing the story. And each of these (including the editing) is as much art as it is science or technical ability. Every piece of art has its critics and its admirers. If we try to understand the artist and what the artist is trying to accomplish, often we move from being a critic to appreciating the art if not admiring the work.
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